| “Lizabetha Prokofievna, what are you thinking of?” cried the prince, almost leaping to his feet in amazement. |
“I don’t wish to joke with you, Lef Nicolaievitch. I shall see Hippolyte myself. Tell him so. As for you, I think you are behaving very badly, because it is not right to judge a man’s soul as you are judging Hippolyte’s. You have no gentleness, but only justice--so you are unjust.”
“Happy! you can be happy?” cried Aglaya. “Then how can you say you did not learn to see? I should think you could teach _us_ to see!”
“Deceitful and violent?”
| It would be difficult to describe the pitiable scene that now followed. The first sensation of alarm soon gave place to amusement; some burst out laughing loud and heartily, and seemed to find a malicious satisfaction in the joke. Poor Hippolyte sobbed hysterically; he wrung his hands; he approached everyone in turn--even Ferdishenko--and took them by both hands, and swore solemnly that he had forgotten--absolutely forgotten--“accidentally, and not on purpose,”--to put a cap in--that he “had ten of them, at least, in his pocket.” He pulled them out and showed them to everyone; he protested that he had not liked to put one in beforehand for fear of an accidental explosion in his pocket. That he had thought he would have lots of time to put it in afterwards--when required--and, that, in the heat of the moment, he had forgotten all about it. He threw himself upon the prince, then on Evgenie Pavlovitch. He entreated Keller to give him back the pistol, and he’d soon show them all that “his honour--his honour,”--but he was “dishonoured, now, for ever!” |
| “Whom did you hear it from?” asked Aglaya, alarmed. “Rogojin said something about it yesterday, but nothing definite.” |
“At the first glimpse of the rising sun, prince, I will go to bed. I told you I would, word of honour! You shall see!” cried Hippolyte. “You think I’m not capable of opening this packet, do you?” He glared defiantly round at the audience in general.
He remembered that at such times he had been particularly absentminded, and could not discriminate between objects and persons unless he concentrated special attention upon them.“He is, indeed,” said Alexandra; “almost laughably so at times.”
He reappeared in five minutes as he had said. The prince was waiting for him.“You have so many sources of trouble here, Colia,” said the prince.
“No, no, no, no, no! Nothing of the sort, I assure you!” said Lebedeff, hastily. “Oh dear no, not for the world! Totski’s the only man with any chance there. Oh, no! He takes her to his box at the opera at the French theatre of an evening, and the officers and people all look at her and say, ‘By Jove, there’s the famous Nastasia Philipovna!’ but no one ever gets any further than that, for there is nothing more to say.”
| “Look closer. Do you see that bench, in the park there, just by those three big trees--that green bench?” |
“The sun is rising,” he cried, seeing the gilded tops of the trees, and pointing to them as to a miracle. “See, it is rising now!”
| Gania asked for further details; and the prince once more repeated the conversation. Gania looked at him with ironical contempt the while. |
“You have!” cried Aglaya. “I might have guessed it. That’s a fitting crown to the rest of the story. If you have seen an execution, how can you say you lived happily all the while?”
The prince was touched; he took Gania’s hands, and embraced him heartily, while each kissed the other.“Why, prince, I declare you must have had a taste of this sort of thing yourself--haven’t you? I have heard tell of something of the kind, you know; is it true?”
| Nastasia Philipovna, who loved originality and drollery of all kinds, was apparently very fond of this old man, and rang the bell for more tea to stop his coughing. It was now half-past ten o’clock. |
The prince gave a short narrative of what we have heard before, leaving out the greater part. The two ladies listened intently.
“Then I began to talk about faces, at least about the _expressions_ of faces, and said that Aglaya Ivanovna was nearly as lovely as Nastasia Philipovna. It was then I blurted out about the portrait--”
“For a moment I thought he would assault me; he grew so pale that he looked like a woman about to have hysterics; his wife was dreadfully alarmed.“So I saw.”
“Of course I wrote an apology, and called, but they would not receive either me or my apology, and the Epanchins cut me, too!”
An hour later he was in St. Petersburg, and by ten o’clock he had rung the bell at Rogojin’s.“What? At your house?” she asked, but without much surprise. “He was alive yesterday evening, wasn’t he? How could you sleep here after that?” she cried, growing suddenly animated.
V.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”“But whatever she may say, remember that she does not believe it herself,--remember that she will believe nothing but that she is a guilty creature.
The wedding was hurried on. The day was fixed for exactly a week after Evgenie’s visit to the prince. In the face of such haste as this, even the prince’s best friends (if he had had any) would have felt the hopelessness of any attempt to save “the poor madman.” Rumour said that in the visit of Evgenie Pavlovitch was to be discerned the influence of Lizabetha Prokofievna and her husband... But if those good souls, in the boundless kindness of their hearts, were desirous of saving the eccentric young fellow from ruin, they were unable to take any stronger measures to attain that end. Neither their position, nor their private inclination, perhaps (and only naturally), would allow them to use any more pronounced means.| “Besides,” said Colia, “it is quite unusual, almost improper, for people in our position to take any interest in literature. Ask Evgenie Pavlovitch if I am not right. It is much more fashionable to drive a waggonette with red wheels.” |
“What do you know of my position, that you dare to judge me?” cried Nastasia, quivering with rage, and growing terribly white.
| “No--no--no!” muttered Lebedeff, clutching at his arm. He was clearly aghast at the largeness of the sum, and thought a far smaller amount should have been tried first. |
| “You don’t think me one! Oh, dear me!--that’s very clever of you; you put it so neatly, too.” |
| “Very glad, I’m particularly hungry. Yes, yes, a strange coincidence--almost a psychological--” |
“But do you know what I have been thinking out during this last week, Parfen? I’ll tell you. What if she loves you now better than anyone? And what if she torments you _because_ she loves you, and in proportion to her love for you, so she torments you the more? She won’t tell you this, of course; you must have eyes to see. Why do you suppose she consents to marry you? She must have a reason, and that reason she will tell you some day. Some women desire the kind of love you give her, and she is probably one of these. Your love and your wild nature impress her. Do you know that a woman is capable of driving a man crazy almost, with her cruelties and mockeries, and feels not one single pang of regret, because she looks at him and says to herself, ‘There! I’ll torment this man nearly into his grave, and then, oh! how I’ll compensate him for it all with my love!’”
The prince took a droshky. It struck him as he drove on that he ought to have begun by coming here, since it was most improbable that Rogojin should have taken Nastasia to his own house last night. He remembered that the porter said she very rarely came at all, so that it was still less likely that she would have gone there so late at night.
At this moment Lebedeff appeared, having just arrived from Petersburg. He frowned when he saw the twenty-five rouble note in Keller’s hand, but the latter, having got the money, went away at once. Lebedeff began to abuse him.
“Upon my word, I didn’t! To this moment I don’t know how it all happened. I--I ran after Aglaya Ivanovna, but Nastasia Philipovna fell down in a faint; and since that day they won’t let me see Aglaya--that’s all I know.” One of the representatives of the middle-class present today was a colonel of engineers, a very serious man and a great friend of Prince S., who had introduced him to the Epanchins. He was extremely silent in society, and displayed on the forefinger of his right hand a large ring, probably bestowed upon him for services of some sort. There was also a poet, German by name, but a Russian poet; very presentable, and even handsome--the sort of man one could bring into society with impunity. This gentleman belonged to a German family of decidedly bourgeois origin, but he had a knack of acquiring the patronage of “big-wigs,” and of retaining their favour. He had translated some great German poem into Russian verse, and claimed to have been a friend of a famous Russian poet, since dead. (It is strange how great a multitude of literary people there are who have had the advantages of friendship with some great man of their own profession who is, unfortunately, dead.) The dignitary’s wife had introduced this worthy to the Epanchins. This lady posed as the patroness of literary people, and she certainly had succeeded in obtaining pensions for a few of them, thanks to her influence with those in authority on such matters. She was a lady of weight in her own way. Her age was about forty-five, so that she was a very young wife for such an elderly husband as the dignitary. She had been a beauty in her day and still loved, as many ladies of forty-five do love, to dress a little too smartly. Her intellect was nothing to boast of, and her literary knowledge very doubtful. Literary patronage was, however, with her as much a mania as was the love of gorgeous clothes. Many books and translations were dedicated to her by her proteges, and a few of these talented individuals had published some of their own letters to her, upon very weighty subjects.“Without Aglaya--I--I _must_ see Aglaya!--I shall die in my sleep very soon--I thought I was dying in my sleep last night. Oh! if Aglaya only knew all--I mean really, _really_ all! Because she must know _all_--that’s the first condition towards understanding. Why cannot we ever know all about another, especially when that other has been guilty? But I don’t know what I’m talking about--I’m so confused. You pained me so dreadfully. Surely--surely Aglaya has not the same expression now as she had at the moment when she ran away? Oh, yes! I am guilty and I know it--I know it! Probably I am in fault all round--I don’t quite know how--but I am in fault, no doubt. There is something else, but I cannot explain it to you, Evgenie Pavlovitch. I have no words; but Aglaya will understand. I have always believed Aglaya will understand--I am assured she will.”
| “This is how she died. After all this honour and glory, after having been almost a Queen, she was guillotined by that butcher, Samson. She was quite innocent, but it had to be done, for the satisfaction of the fishwives of Paris. She was so terrified, that she did not understand what was happening. But when Samson seized her head, and pushed her under the knife with his foot, she cried out: ‘Wait a moment! wait a moment, monsieur!’ Well, because of that moment of bitter suffering, perhaps the Saviour will pardon her other faults, for one cannot imagine a greater agony. As I read the story my heart bled for her. And what does it matter to you, little worm, if I implored the Divine mercy for her, great sinner as she was, as I said my evening prayer? I might have done it because I doubted if anyone had ever crossed himself for her sake before. It may be that in the other world she will rejoice to think that a sinner like herself has cried to heaven for the salvation of her soul. Why are you laughing? You believe nothing, atheist! And your story was not even correct! If you had listened to what I was saying, you would have heard that I did not only pray for the Comtesse du Barry. I said, ‘Oh Lord! give rest to the soul of that great sinner, the Comtesse du Barry, and to all unhappy ones like her.’ You see that is quite a different thing, for how many sinners there are, how many women, who have passed through the trials of this life, are now suffering and groaning in purgatory! I prayed for you, too, in spite of your insolence and impudence, also for your fellows, as it seems that you claim to know how I pray...” |
| “I--I thought it was half-past nine!” |
| “Yes, Nicolai Andreevitch--that was his name,” and the young fellow looked earnestly and with curiosity at the all-knowing gentleman with the red nose. |
“Well, if you could tell Aleksey about it, surely you can tell us too.”
| “I don’t believe it!” said the prince abruptly, after a short pause. “Had it been so I should have known long ago.” |
| “I thought of buying flowers, and putting them all round her; but I was afraid it would make us sad to see her with flowers round her.” |
| “There,” he whispered, nodding his head towards the curtain. |
| Aglaya was clearly confused, but not frightened. On entering she had merely glanced momentarily at her rival, and then had sat still, with her eyes on the ground, apparently in thought. Once or twice she glanced casually round the room. A shade of disgust was visible in her expression; she looked as though she were afraid of contamination in this place. |
“But you didn’t repeat what you heard in the study? You didn’t repeat that--eh?”
| Here he rose again from his chair, so that it seemed strange that he should have thought it worth while to sit down at all. |
| The general gazed at his host disdainfully. |